Ludwig van Beethoven

piesne

• The nature and function of the Development section
• Main theme, re-orchestrated; unexpected drift into
• Hints of a return to main theme; long 'pedal point
• The nature of harmonic rhythm illustrated
• A typically Beethovenian exercise in the frustrati
• Main theme returns, but significantly altered, and
• Repetitiousness and magic effected largely through
• Running commentary now heard in the middle, with a
• Part Three of main theme given to entire orchestra
• Then come four, almost identical bars