Megadeth

^4/4 Gtrs I, II

E S E S S S S S S S S S E E S E S S S S S S S S S E

^{E5 E5 F#5 D5 A5 G#5G5 G#5A5}
E S E S S S S S S S S S E E. E. Q E. E. 4x

1.,2.,3.
^F#5 Gtr I ^{E5 G5}

E E S S S E. E S S S S +E E S S S E. E. E. 4x

4.
N.C.
Gtrs I, II
S S S S S S S S S S S S S S S S

^{F#5 E5 G5}
E E S S S E. E S S S S +E E S S S E. E. E.

^{F#5 C5 G5}
E E S S S E. E S S S S +E E S S S E. E. E.

Verse
$
E5 G5 F#5 G5 N.C.F#5 G5 N.C. G5 F#5

E. E. E E. E. E S S S S S S Q S S S S S S S S S S S S Q S S S S E

1.,2.,3.
N.C.F#5 G5 N.C. F#5 G5N.C.

S S S S S S Q S S S S S S S S S S S S E S S S S S S S S 4x

4.
To Coda
^2/4 <
PM----|
S S S S S S E E. E. E E. S +E E Q Q H

Chorus
^4/4
E E S S S E. E S S S S +E E S S S E. E. E.

D.S. al Coda
^{F#5 C5 G5}
E E S S S E. E S S S S +E E S S S E. E. E.

Chorus
&
^{F#5 E5 G5}
E E S S S E. E S S S S +E E S S S E. E. E.

1.
^{F#5 C5 G5}
E E S S S E. E S S S S +E E S S S E. E. E.

2.
^F#5 Gtr I ^{A5 G#5G5 G#5}

E E S S S E. E S S S S E. E. Q. Q

|
| Gtr II

| E E S S S E. E S S S S E. E. Q. Q

Solo
^A5 S S S S S S S S S S S S S S S S ^Bb5 S S S S S S S S S S S S S S S S

|
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S

1.
^F5 S S S S S S S S S S S S S S S S ^E5 S S S S S S S S ^G5 S S S S S S S S

|
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S

2.
^E5 Gtr I ^G5
S S S S S S S S S S S S S S S S

|
| Gtr III
| S S S S S S S S S S S S S S S S

|
| Gtr II
| S S S S S S S S S S S S S S S S

^A5 S S S S S S S S S S S S S S S S

|
| S S S S S S S S S S S S S S S S

|
| S S S S S S S S S S S S S S S S

^Bb5 S S S S S S S S S S S S S S S S

|
| S S S S S S S S S S S S S S S S

|
| S S S S S S S S S S S S S S S S

^F5 S S S S S S S S S S S S S S S S

|
| S S S S S S S S S S S S S S S S

|
| S S S S S S S S S S S S S S S S

1.
^E5 S S S S S S S S ^G5 S S S S S S S S

|
| S S S S S S S S S S S S S S S S

|
| S S S S S S S S S S S S S S S S

2.
^E5 S S S S S S S S ^G5 S S S S S S S S

|
| S S S S S S S S S S S S S S S S

|
| S S S S S S S S S S S S S S S S

^F5 ~~
W

|
| ~~
| W

|
| S S S S S S S S S S S S S S S S

^{E5 G5}
Q Q Q Q Q Q

|

| Q Q Q Q Q Q

|
| S S S S S S S S S S S S S S S S

^A5 TP ^{Bb5 E5 G5 G#5 A5} TP ^{Bb5 E5} TP ^{G5 G#5}

W H +Q Q Q

|
| TP TP
| W +W

|
| E. E. S S E. E. E E. E. S S E. E. E

^A5 TP ^{Bb5 E5 G5 G#5 A5} TP ^{Bb5 E5 G5 G#5}
W Q +H.

|
| TP TP
| +W Q +H.

|
| E. E. S S E. E. E E. E. S S E. E. E

^A5 Gtr ^Bb5 III ^{E5 G5 G#5 A5 Bb5 E5 G5 G#5}
TP

W Q Q Q Q Q Q

|
| Gtr II
| E. E. S S E. E. E E. E. S S E. E. E

^A5 TP ^{Bb5 E5 G5 G#5 A5 Bb5 E5 G5 G#5}

W Q Q Q Q E +E Q

|
| E. E. S S E. E. E E. E. S S E. E. E

^A5 Gtr I
Q E E E. E. E

|
| Gtr III
| ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
| H +H

|
| Gtr II
| S S S S S S S S S S S S S S S S

^Bb5 Q E E E. E. E

|
| >
|~~~~~~~
| +W

|
| S S S S S S S S S S S S S S S S

^F5 Gtr I ^{E5 G5}
Q E E E. E. E Q E E E. E. E

|
| Gtr II
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S

^A5 Gtr I ^Bb5
Q E E E. E. E Q E E E. E. E

|
| Gtr III
| Q E E E. E. E Q E E E. E. E

|
| Gtr II
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S

^F5 Q E E E. E. E ^E5 Q E E ^G5 E. E. E

|
| Q E E E. E. E Q E E E. E. E

|
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S

^F5 Q E E E. E. E ^E5 E. ^G5 E. E ^F#5 E. E. ^G5 E

|
| Q E E E. E. E W

|
| S S S S S S S S S S S S S S S S E. E. E E. E. E

^F#5 Gtr ^E5 I ^{F#5 G5 F#5 E5 F#5 C5}

E S E S S S S S S S S S E E S E S S S S S S S S S E

|
| Gtr II
| ~
| W S S S S S S S S S S S S S S S S

^{F#5 E5 F#5 D5}
E S E S S S S S S S S S E

|
| E. E. E Q +Q

^{A5 G#5 G5 G#5 A5 F#5 E5 F#5 G5}
E. E. Q E. E. E S E S S S S S S S S S E

|
| E. E. Q E. E. H H

^{F#5 E5 F#5 C5}
E S E S S S S S S S S S E

|
| E. E. H +E

^{F#5 E5 F#5 D5}
E S E S S S S S S S S S E

|
| S +E. +E +E H

^{A5 G#5G5 G#5A5 F#5 E5 F#5 G5}
E. E. Q E. E. E S E S S S S S S S S S E

|
| E. E. Q E. E. H E S S S S S S

^{F#5 E5 F#5 C5}
E S E S S S S S S S S S E

|
| +S S S S S S S E S S S S S S S

^{F#5 E5 F#5 D5 A5 G#5 G5 G#5 A5}
E S E S S S S S S S S S E E. E. Q E. E.

|
| ~~~~~~~~~~~~~~~
| H H E. E. Q E. E.

^{F#5 E5 F#5 G5 F#5 E5 F#5 C5}
E S E S S S S S S S S S E E S E S S S S S S S S S E

|
| E. e. H +E E. e. H +E

^{F#5 E5 F#5 D5}
E S E S S S S S S S S S E

|
| H S Q. +S

^A5 E. ^G#5 E. ^G5 Q ^G#5A5 E. E. ^A5 E. ^G#5 E. ^G5 Q ^G#5A5 E. E.

|
| ~~~ ~~~
| E. E. H E E. E. H E

^A5 E. ^G#5 E. ^G5 Q ^G#5A5 E. E. ^A5 E. ^G#5 E. ^G5 Q ^G#5 E. ^A5 E. ^F#5 H H

|
| >
| ~~~
| E. E. H E E. E. Q E. E. H +H

Duration Legend

+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend

h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
ⁿ - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\\n/ - tremolo bar dip; n = amount to dip
\\n - tremolo bar down
n/ - tremolo bar up
/n\\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend

| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths