phish

H-O H-O ^{D D A D}

Repeat as necessary for intro.
Then
A D (x4) Then repeat Introductory sequence...
Back to A D, until this part (again, listen to a recording
for timing information and when it comes:

Repeat twice...
Then back to the main lick, then A > D, the last time ending with
a D chord on the second fret (basic D chord).
Then comes the distortion, and the progression changes to a
D C D C G > F one (See below)... listen to the recording for timing.
This is the solo Trey does on Lawn Boy.. every time I think he
noodles around with it a little.
~~~~~ ~~~~~ ~~

Palm muting...

Then:
Rake Fast!!! ....................

..Into the JAM!!
Em > D
Here's a little lick that Trey did at Shoreline in 1995 at the start:
(Thanks to Mike Flouton)

After the Climax of the jam, it cools down but maintains the same
Em > D progression. Trey might noodle over it a little, then goes
into the words :
Rai rai Rocko (?)
Marco Esquandolas (?)
Been you to have any spice/spike mon? (?)
A heavy C chord makes for the transition to the next part:
D C D C G > F (loud!)
I like to play the G > F chords as such:
^{G F}
Though I'm sure most people will stick with the barre chord shapes.
For this part, I can't decide which one sounds better / works better - the
C chord or the Am or the Am7 chord. They're all very closely related, Am
being the sixth of C. Play it however you like, I suppose
Run Run Ru ^D n Run Run Run Run Run/Run Run Run ^Am7 Run Run Run Run Run
Run Run Ru ^D n Run Run Run Run Run/Run Run Run ^Am7 Run Run Run Run Run
(with "Run run run" chant over)
"Set the gearshift for the high gear of your soul . . .
you've got to run like an antelope . . . out of control..."
Eventually they slow this chord progression down, ending on the D chord.
Trey will sometimes bend the fifth fret on the B string up a whole step
and hold it while the band does their grand finale, and he sometimes does his
"Thanks a lot, we'll be back in fifteen minutes" routine (yeah, right).

B--5^(7)--|