Vanessa Carlton

^G# Bbm ^- - ⁴⁶⁶⁵⁴⁴ x13321
^F# Ebm ^- - ²⁴⁴³²² x68876
C#/F - 143xxx
G#/C - x365xx
Eb - x68886
Piano keys mode: LH means left hand, RH means right hand, Sharps(#) or flats(b) are
keys otherwise
without these symbols are white keys. Aligned left and right keys are pressing
the keys simultaneously.
dashes(-) indicates the speed of pressing the keys. single dash(-)means faster,
is slower
The underscore(-) is just a seperator because ultimate-guitar omits spaces.
Intro: C#-G#-Bbm-F# (x3) F#-G#
Piano: Tablature mode
^{C# G# Bbm F# C# G# Bbm F#
C# G# Bbm F# F# G#}
Piano: Piano keys mode

Verse 1:
all di ^G# saster it s ^Bbm trikes on ^F# a daily ^C# basis
And I'm ^G# looking for ^Bbm wisdom in ^F# all the wrong ^C# places
But s ^G# till wanna ^Bbm laugh in ^F# disappointed ^C# faces
And ^Ebm you ^C#/F can't ^F# help ^G# me I'm ^Ebm Blin- ^C#/F ded ^F# by ^G# these
Chorus 1:
^C# Heroes and ^G# thieves at my ^Bbm door ^F#
I ^C# can't seem to ^G# tell them a ^Bbm part any ^F# more
And ^C# just when I ^G# figured it ^Bbm out ^F#
Well ^F# darlin' it's ^G# you I'm without
Interlude: C#-G#-Bbm-F#(x2) Do also the intro piano riff
Verse 2:
Well I'm s ^G# tubborn and ^Bbm wrong
But at ^F# least I ^C# know it
I keep ^G# moving a ^Bbm long
and hope ^F# I can get ^C# through this
^G# Maybe this ^Bbm song is the ^F# best I can ^C# do it
So ^Ebm I'm ^C#/F pa--- ^F# tient ^G# ly ^Ebm wai- ^C#/F ting ^F# on ^G# these
Chorus 2:
^C# Heroes and ^G# thieves at my ^Bbm door ^F#
I ^C# can't seem to ^G# tell them a ^Bbm part any ^F# more
And ^C# just when I ^G# figured it ^Bbm out ^F#
Well ^F# darlin' it's ^G# you ^F# darlin' it's ^G# you
oh ^F# darlin' it's ^G# you I'm wi ^F# thout
Bridge:
Your ^G# comfor ^Bbm ting lo ^G#/C gic
Like ^C# these days ^Eb are the ^Bbm ones I'll ^G#/C miss
And ^F# I see ^G# a so ^Bbm litude
^G#/C That I ^C# can't find ^Eb without ^G# you
(Repeat Intro)
Ah da da da
Verse 3: silence and slower
It ^G# seems like I'm ^Bbm getting ^F# closer some ^C# how
A ^G# flicker of ^Bbm peace that I've ^F# finally ^C# found
^G# Thank you for be ^Bbm lieving ^F# in me ^C# now
'Cause ^Ebm I ^C#/F do ^F# need ^G# it
Chorus 3:
And ^C# give me a ^G# year or ^Bbm two ^F#
And ^C# I'll mend my ^G# ways
And ^Bbm see these mis ^F# takes
And ^C# when I ^G# see the ^Bbm truth ^F#
Well ^Ebm dar- ^C#/F lin', ^F# trust ^G# me
^Ebm When ^C#/F I ^F# can't ^G# see
I'll be ^Ebm coming back ^C#/F
I'll be ^F# coming back to ^G# you
(Repeat Chorus 2)
(Repeat Intro) end on C#