Ludwig van Beethoven

piesne

• More variation: pitch rises; violins joined frist
• Return to opening idea, but with new instrumentati
• Steady crescendo in strings; terrifying, downward
• Clarinets, horns, bassoons and flutes now join exp
• Extremes of dynamic contrasts; the unsettling, dis
• Abandonment of melody, and most traces even of rhy
• 'New' insistent rhythm derived from the first four
• With the dawn chorus, a whole forest is waking up;
• Storm dispersed, the sun reappears, bathing sodden
• First violins play a derivative of the opening fig