Ludwig van Beethoven

piesne

• Fourth movement (complete)
• Sudden change of key, from the home key (tonic) to
• Arrival at the hightly contrasting second main the
• 'Yodelling' figure from clarinet, then horn, the v
• Unusual properties of second main theme
• Details of instrumental magic in the interplay of
• Main theme heard three times in a row - and yet ne
• Rhythmic clash between simultaneous groups of thre
• Now we get the whole orchestra, playing full out,
• winds fall selent as the violins and violas interr