Peter Hammill

Lost & Found

Transpozícia ( -2 -1 0 +1 +2 )

Em Even the wolf can learn,
D even the sheep can turn,
C6 even the frog bcome at last the Em prince
Em No more imagined insults
and D no more bloated pride -
C6 I'll see you at the wedding,
I'll see you on the Bm o- A ther G side
Em and I'll hold my peace forever
but I'll D hold my passion more...
I'll be Bm hol- A ding the G door
and Em waiting for the princess -
I could say I' D m waiting for the world,
C6 but when it comes right down to it
I'm simply Bm wai- A ting for the G girl.
Em On through the ring of changes
I'll be at my D side in a single bound,
Bm lost A and G found
G looking A to be Bm lost A and G found.
G looking A to be Bm lost A and G found.
G I'll A to be Bm lost A and G found.
G I'll A to be Bm lost A and G found.
G A A La Rossa E extends her B hands - in the morning light the D stigmata don't A show
She's up already, E making B plans; she thinks it's D maybe time he ought to A go
And she's friendly E like it's a B service but she's D ringing around his A head -
though he knows she has E no further B use for him
still he feels like he's D raised from the A dead.
Out to the E cold grey B daylight, never ever D wondering, of A course,
if one moment of E perfect B passion
is worth a D lifetime of A remorse.
The guitar "solo" (would you consider a two-notes line as solo?) is played
through the same chords sequence, here it is, with durations in beats:
A (6 beats) E (2 beats) | B (6 beats) D (2 beats)
So it's Em no more empty promises
and D no more idle threats;
C6 no more 'if only's' and Bm no more ' A and G yet's';
no more wishes for the Em future
no more D denials of the past;
I'm Bm free A at G last
A I'm in Bm love A at G last
A I'm Bm lost A and G found
The chord sequence continues as the voices faid:
Bm (4 beats) A (4 beats) | G (7 beats) A (1 beat)
...put on your red dress, baby...
...cos we're going out, tonight...
...put on your high heeled slippers...
...everything's gonna be alright?